Urumira has revived his role as Hachimanden. In 2013, Mala Aai Vhhaychy was first remade in Telugu as Welcome Obama. There are many occasions that clearly point out how resource shortages create an environment for exploitation. Inequality is anthropomorphized in a scene where Mary and Yashoda live together in a village hut and are still far away. In the second half, he shows an emotional range as things get worse.Īs a subtext, Mala Aai Vhhaychy also commented on the differences between the rich and the poor, and thus the west and eastern classes. He is also a manifestation of “Gora” (foreigners) and all Indians who marvel at their way of life. Yashoda’s companion Ganpath (Vivek Raut) brightens the mood and adds humor to the film. Child actors, on the other hand, look confused and quiet in most scenes, as they embody the crisis of identity that cross-cultural roots have given him. It’s ridiculous from time to time to see how easy she can get out of the situation. Stacy also embraced her character at Finesse and enjoyed watching her different shades. A few years later, when she returns to regain Krishna, we see Mary still acting on impulse. Mary was introduced as a grumpy selfish woman from the beginning, and it’s no surprise to abandon Yashoda and her children. Two scenes of her emotional collapse are stars. Ulmira has always been the vehicle for this roller coaster, and the camera captures her in different moods. Every time Hachimanden faces a crisis, Ulmira’s acting has depth and integrity, which makes the film heavier. She is away from her baby during pregnancy, but becomes possessive when Krishna is born. In the midst of struggle, emotional push and pull, Urmila Kanetkar courageously introduces various aspects of motherhood. This allows viewers to invest in the story and empathize with her surrogate mother and her powerlessness. The story unfolds in many ways, including expectations, joy, betrayal, loneliness, love, and sacrifice, with subtle nuances on each turn and is shot in a very simple way. The basic plot is considered exciting and promising. Mala Aai Vhhaychy takes root in this context and creates a bitter drama about the nature, upbringing and legal rights of mothers and their surrogate mothers. The agent was not responsible and ran blindly for money. Many foreign couples abandoned their surrogate mothers during the birth period and lost legal means because the industry was unregulated and exploited women, their bodies and choices. Infertility clinics have begun to emerge, and agents have searched for poor women from rural areas in this practice. It involves the surrogate mother carrying the child on behalf of another person and providing financial compensation for the birth. So who has the legal right to the baby? A woman who has a blood relationship with him, or a woman who gave birth to and raised him? Mala Aai Vhhaychy (I want to be a mother) concludes with a realistic drama that invests in the relationships, maternity, legal and emotional aspects of surrogacy practice.Ĭommercial surrogacy has become very popular in India since it was legalized in the early 2000s. He talks about planes, and Hachimanden secretly knows she can’t make his dream come true. Over the years, Krishna and Yashoda form a close bond. Many people in the village treat him differently because he has blonde hair and a white face. Hachimanden denies and is left with another child to take care of.įortunately, Krishna is born healthy. She even suggests that Hachimanden drop the child in an orphanage and even offer her some money for the same. Fearing that she would have to raise a completely unhealthy and unhealthy child, Mary abandons Hachimanden in the final stages of her pregnancy and flies abroad.
Mary’s life is now tied to Yashoda’s life for nine months, during which she learns that the baby she is carrying can be transformed. She becomes Mary’s surrogate mother and becomes pregnant. Hachimanden needs money for proper treatment of his daughter and the transaction is mediated.
On the other hand, Yashoda was found to be a disabled mother and Sureka’s mother, who lives separately in a long-term care facility. She completes Yashoda (Urmila Kanetkar) to give birth to her child, seeing that she is healthy and experienced. Mary (Stacy Bee) travels to India in search of a surrogate mother.
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